In collaboration with FUSE Magazine
Wednesday, 02 November 2011
LIFT (1137 Dupont)
Facilitated by Gina Badger and cheyanne turions
In collaboration with FUSE, November’s salon will feature readings from the magazine and its library of review materials, focusing on those relating to FUSE’s States of Postcoloniality series. Through group reading and discussion, we will consider the current “Occupy” movements in relation to colonial dynamics in Canada.
We will be reading the following texts aloud:
Helga Tawil-Souri’s “Occupy Wall Street to a global intifada?”
Harsha Walia’s “Letter to Occupy Together Movement”
JohnPaul Montano’s “An open letter to the Occupy Wall Street activists”
And watching a short clip of Tim Wise on the Rachel Maddow show.
FUSE is one of Canada’s foremost critical periodicals on art and culture. With a focus on visual and media art, and a strong emphasis on the diverse communities that make up the contemporary Canadian art world, FUSE examines emerging issues and debates from the perspectives of politically engaged cultural producers.
Gina Badger is an artist and writer working in the expanded field of sculpture and installation. Working iteratively and across media, her work is entangled in the wondrously post-natural and its environmental histories, and her favored research methods include listening, walking, eating and drinking. She has presented work internationally at celebrated venues, notably The Kitchen (NYC); LACMA (Los Angeles); Issue Project Room (NYC); and the London School of Economics and Political Science, and has published in Scapegoat Journal, Public Journal, and Byproduct: On the Excess of Embedded Art Practices (YYZ). Currently working between Toronto, Montreal, and various locations south of the 49th parallel, Badger holds an M.S. in Visual Studies from MIT. A collaborator at heart, Gina is a member of the Montreal-based Artivistic Collective, and is currently the editorial director of FUSE.
Image credit: 06 April Movement tent, Tahrir Square, Cairo, 29 June 2011. Photograph by Mona Seif.