Gilles Deleuze, Cinema 1, chapter 2, “Frame and shot, framing and cutting”

Proceeding from last month’s reading, February’s meeting will continue the discussion of Gilles Deleuze’s Cinema 1. Moving from a theoretical exploration of Bergon’s three theses on the movement image, Deleuze will now attempt to show how these ideas relate to pre-WWII cinema. Here, the abstract concepts of chapter 1 are given a concrete instantiation. But what does this mean and what do they look like?

THOUGHT ON FILM
Reading Gilles Deleuze, Cinema 1, chapter 2, “Frame and shot, framing and cutting”
Cineworks Screening Room [1131 Howe, back lane entrance], Vancouver BC
26 February 2008, 18:00
Free

Facilitated by cheyanne turions

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s